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"And you will find this world a place of love
If you just count your blessings from above."
I've been blessed.
Auguri e buon anno nouvo - Blessings and a Happy New Year
31 decembre - San Silvestro





It was only 2000 but there were very few people in the Piazza and most were crowded around the Presepe by a rather phallic looking Christmas tree. Many were, like ourselves, snapping pictures. I wasn't disturbed that the Nativity had been relocated to Nazareth nor the placement of St Joseph at the centre of the scene. But I found that many of the carved figures - some Baroque pieces from the Church of Sant'Andrea delle Valle - are badly placed and the three room structure put a restricting box around the tableaux. Unfortunately the night setting on both our cameras was not working properly so many of the photos didn't turn out.
There's a slightly sinister atmosphere in the Borgo at night - particularly on the pedestrian streets where the cobblestones echo in the chilly air. And the flocks of black-suited and soutaned clergy scurrying through to winings, dinings and lodgings give it an almost conspiratorial atmosphere. Our trattoria was closed so we looked for one with clergy in it - always a good recommendation. The one we choose had a cosy interior, a pleasant waiter and respectable food - we had our carbonara, a few glasses of house white, almond tart and coffee and the world seemed a little warmer if not brighter.
We boarded a number 62 that takes us across the River, through town and almost home. The only other passenger on the idling bus was an elderly lady carting a backpack and two shopping bags. She spotted Laurent and immediately started talking to him. In the five or ten minutes before departure she told him all about her family - her mother was French, they were evacuated from Rome during the war, her sister went to America and after the war when her parents died they didn't have the money for proper headstones. She wasn't rambling she was reminiscing and here was a nice young man who was willing to listen. I've always marvelled at Laurent's ability to talk with strangers - I feel uncomfortable and awkward in those situations, its one of the reasons I hate diplomatic functions. She repeated the story of the headstones but it didn't seem like a plea of poverty, more a repeated regret for something not done right. Then at the first stop she gathered up her bags, waved arrivederci and got off. She seemed too well dressed to be a street person, she spoke Italian beautifully and she did not seem disturbed in any way. Just an old lady on her way home who had found someone to listen to her.
Or at least I hope she was on her way home; it had become colder and damper and so many people are homeless in this city. As we went through Centro I saw several people bundled up in blankets bedded down for the night in doorways. One couple were having a last cigarette, wrapped in their blankets in the doorway of a Ferrari dealership - he leaned down and whispered something to her and she laughed.
I don't pray often but Thursday night I mumbled a few words to who ever listens: a few words about Reesie, a few words for that old lady, those people sleeping in the doorways, that laughing couple and a few words of thanks for what I've had and have.Stanley (the dog): You still feeling down Pat?
Pat: Yes
Stanley: Come on buck up, I've arranged a little surprise.
(Fireworks)
Pat: Wow! That's great! How did you do that?
Stanley: Its nothing. Just a little imagination and lots of friendship.
Pat: Its real cool - Friendship.

Last evening Reese slept between the two of us for a short while. It wasn't something he did - he never understood that a bed was for sleeping, he thought it was for wandering around in, fighting with blankets in and once settled down in having your tummy rubbed non-stop - forget this sleep thing.
In his preface to a 1984 translation by Ralph Manhem of E. T. A. Hoffmann's The Nutcracker illustrator Maurice Sendak, who had based his drawings on set and costumes he created for Pacific Northwest Ballet production of the Christmas favorite, comments:Tchaikovsky, understandably disappointed in the scenario, proceeded to compose a score that in overtone and erotic suggestion is happily closer to Hoffman than Dumas. His music, bristling with implied action, has a subtext alive with wild child cries and belly noises. It is rare and genuine and does justice to the private world of children. One can, after all, count on the instincts of a genius.
Our Nutcracker has been guarding our tree since 1980; Laurent saw him in the window of a German Delicatessen on Slater St in Ottawa and brought him home. This was long before they became a ubiquitous item in every Christmas store and catalogue. Now there seem to be Nutcrackers for every holiday occasion - Halloween, Thanksgiving, Easter and I've even seen a Mouse King nutcracker! How perverse is that? Every one knows that little Clara helped the Nutcracker to defeat the Mouse King one Christmas Eve.


Afterwards we wandered back into the Piazza and there they were: lumps of coal! A veritable vein of carbon piled into a pyramid amongst the sugared almonds, marzipan and fruit jellies at a candy stall. Carbonne dolci (Candy coal) that the vendor said was for the stockings of Le donne cative (Naughty ladies.) Given the history of the area during Roman times, it seemed highly appropriate. I'm sure its pure sugar and will rot teeth on contact but each of our dinner guests will be getting a lump of coal in their Christmas stocking. And Laurent will be getting an extra big one.
This will be the first year in over 40 years that there will be no plum pudding on the table as a climax to Christmas dinner. Even last year in Hong Kong our darling Diane arranged to have one especially for us. It was set aflame at the table and then enjoyed with great dollops of Custard Sauce.This pudding is based on a recipe favored by King George VI and still used at Windsor Castle today. Just think you are eating the same pudding as the Queen and all the little royals. Boiled Pudding has been enjoyed in England since the early 16th century but only became the traditional end to Christmas dinner in the late 18th century.
There are several traditions concerning the making of a Christmas Pudding. It is always prepared on "Stir Up" Sunday. That is the Sunday when the English Book of Common Prayer "stirs up" the people to renew their zealous faith in God. It is also the Sunday when the pudding is "stirred up"; always I might add stirring clockwise for good luck. Also it was the custom for each family member to have a stir so the luck would be evenly distributed to one and all. Because I was alone when I "stirred up" this pudding, I thought of each of you with a stir.
The pudding must then be steamed over boiling water for nine hours. This was one tradition that I upheld for many years, much to the delight of our local Hydro company. This year I have followed a microwave method suggested by Madame Benoit.* I did not use a Panasonic or Frigo-seal but I did use PAM. So I hope that Jehan, as she prepares her tortière for the angels, is smiling on me; and me, I'm laughing at the Hydro company.
Another tradition, a legacy of Queen Victoria, was the placing of a bean or trinket in the pudding. The person finding the treasure was said to have good luck in the coming new year. My own experience with this tradition has been that a guest either swallows the bean or thinks it got there by mistake and quietly hides it on their saucer. An incident involving the bean and a choking aunt convinced me that this tradition could go by the wayside.
One tradition that should always be followed is the flaming of the pudding as it is brought to the table. Though this too has led to several incendiary events in my own kitchen I am sure that you will find that this is one tradition that is worth the odd singed eyebrow. The final tradition is to serve the pudding with hard sauce or custard sauce. I've always been partial to the former myself but along with the pudding I've included recipes for both, courtesy of Martha Stewart.
When speaking with Laurent in Cairo at 4 o'clock this morning I was reminded of one other tradition which was instituted in our household in Mexico several years ago: the eating of cold pudding for breakfast on Boxing Day. I find this a rather revolting tradition but Laurent assures me he enjoys it immensely.
Finally we hope that each one of you has a wonderful Christmas and that you think of us and ours. In Cairo we'll lift a glass to you and yours. And for us that is what Christmas is all about: traditions and remembrance.
Christmas 1989.
So many memories of Christmas - good and bad - are being posted on some of my favorite blogs this week that I once again must share them. If they aren't on your regular blog visits here are some wonderful additions to your Christmas reading and listening:Thank you all for sharing.
20 decembre - San Macario
Our Christmas traditions are a mix of Laurent's French-Canadian heritage, my English-Canadian background and a few things we've taken from places we've lived or people we've known. Laurent had never heard of Christmas Crackers before our first Christmas Dinner in 1979 but they had always been part of our family Christmas. And their decorative place on the table, the sound of the crack, the useless trinkets, silly hats and sillier jokes preface any Christmas dinner at our house.
The Cracker didn't always arrive in time for Christmas - sometimes it was late January before it showed up in the post but Ryan was a busy lecturer, teacher, author and columnist and you knew it would be there at some point. When it did arrive you could be sure it would be filled with goodies: Snippets from The Times of London Obituaries, passages from books read that year, anecdotes from a trip here or there, quotes from favorite authors, comments on CDs heard that year - things that said nothing of his accomplishments (which were many) for the year but much about his experiences. Stupidly I didn't keep all my Crackers but I do have and treasure the last one he sent out in 2005.
As I mentioned in my previous post we purchased a new crèche while we were living in Warsaw back in 2000 - a new crèche for the new millennium. There was a little shop, lodged in two small rooms in a cellar just off one of the main squares, filled with the work of Polish artisans - weaving, painting, pottery and wood carving. One day we saw a nativity set that took our breath away in its simplicity. In muted colours with figures, that though still showing the carver's knife, had a more natural look than the more traditional Polish figures around it. It was expensive - by the
standards of the day - but we knew it was something we wanted to include in our Christmas traditions.
And following the European tradition the carver (we've lost the bill and of course didn't keep any notes so the only thing we know is his initials - CM) included tradespeople amongst the figures - an apple seller and an oil merchant. Unlike many of the Neapolitan figures they are not going about their business but have stopped to adore the new born infant and perhaps bringing offerings of their wares.
the Nativity.
That first Christmas Laurent and I celebrated together in 1979 saw the beginnings of a few of our Christmas traditions.
One was a crèche - Laurent had grown up in Québec where they were always part of Christmas. Thumbing through the Neiman-Marcus Pre-Christmas shopper (they had such great things in those days) I saw a very unusual Nativity scene: it was created at a South West aboriginal co-op and was almost entirely made of corn husks. There was our crèche.
from pipe cleaners. The figures have no noses or mouths just two black dots for eyes. A wise men lost an eye during one of the many numerous packings and unpackings but a felt pen corrected that - though now he seems to have what I believe is called "a lazy eye." And another of the wise men seems to have trouble standing and tends to topple over - reminding me of that cardboard ox.
not matter where we lived. The first year I built a paper-mâché hillside for it - that got lost or destroyed in one of our moves. In Mexico City I bought a patch of moss from a street vendor to place it on - only to have hundreds of creepy crawlies of unknown species come running out the minute I put it on the floor under the tree. Other years it sat on a buffet or a side table. There was always a candle burning beside it over Christmas Eve and Christmas Day - and the baby was never put in place until then.
Then in 2000 I saw the most beautiful carved crèche at an artisan shop in Warsaw (I hope to have some pictures of it tomorrow) and decided that would be our new crèche. But being sentimental I packed our corn husk Nativity away with all the other decorations that we no longer used - the various soldiers, musical instruments, minature children's books etc from theme trees I had done over the years. Imagine my surprise when that box showed up here in Rome - it hadn't gone into storage. A few of those decorations found their way onto the tree and once again this year we've unpacked our first Nativity scene and we'll find a place for it.
The Statue of Maria Immaculata was erected in 1856 to commemorate Pius IX's declaration of the Immaculate Conception. Its at the southern end of the Piazza just in front of the Spanish Embassy.


The faithful converge around the column to sing their Aves and Salves and present enormous floral tributes to Our Lady. Parishes under her patronage process through the square with banners as do members of various confraternities in capes, caps and plumes. The odd Bishop or Cardinal wanders through with his entourage and various orders of religious join the processions and the singing. I was mildly disappointed that there were no flagellants but was reminded this was Italy not Spain.
Then there is just the festive crowd that comes to watch, roam the street and celebrate what is, for most Romans, the first day of Christmas. And of course being Romans they head into the trattoria and restorante for an extended lunch (pranzo.) How could we do less?
Charles Dickens wrote five Christmas books beginning with the best known, and best loved, A Christmas Carol in 1843. I must admit that even in my most fervent Dickens phase I've only read the three most popular: Carol, The Chimes and The Cricket on the Hearth. However the summary of the last book The Haunted Man and the Ghost's Bargain on the fascinating Dickens Christmas Books page on David Perdue's Charles Dickens Page has given me an idea for some new Christmas reading.A powerful performance is at the center of the 1951 British adaptation of Dickens' A Christmas Carol: Alastair Sim's Ebenezer Scrooge. Write Noel Langley has let Dickens' story speak for itself, and the crisp black and white cinematography of C. M. Pennington-Richards captures Dickensian England perfectly. Director Brian Desmond Hurst avoids excess sentimentality and surrounds his lead performer with the cream of British cinemas' supporting players - Ernst Thesinger, Miles Malleson, Hermione Baddeley, Michael Hordern, Mervyn Jones - who bring the familiar characters to lifeAs a sidebar: In 1968 I saw Sim on stage at the Chichester Festival in The Magistrate with a very young Patricia Routledge (sadly only known as Hyacinth Bucket to most of the world.) There was a wonderful scene where after being lead astray on a wild night on the town Mr Poskett (Sim) attempted to clean himself up for court. It was a comic tour-de-force as we watched this already beaten man further defeated by a washbasin, a small towel and a bar of soap in his attempts to regain respectbility . Without a word spoken Sim had us holding our sides with laughter for a good two minutes. In 2002 my dinner table companions on the Trans Canada train travelling from Winnipeg to Vancouver were a charming British couple. During our conversation somehow Chichester and Sim's performance came up. It turned out the lady had been assistant-stage manager for that production 34 years before - it was her first job in the theatre. I recounted my memory of the washing scene and she let me in on a little secret, Pinero's stage directions simply read: Poskett washes his face. The entire scene had been Sim's invention. She said she would time the scene each night and no two performances were ever the same length. He always knew exactly when to cut it off. And apparently Routledge said that she learned how to play comedy watching Sim that summer. Well he had started life as a teacher.
But the true wonder is Sim: he is Scrooge. Listen to the way he delivers the infamous question about workhouses on Christmas Eve - it gives full meaning to the word heartless. And that long craggy face reveals a man whose heart died long ago. Then watch that same face as he questions the small boy about the goose on Christmas morning - it gives new meaning to the word joy. Sim creates a complex character and gives us a compelling view as to how this once loving man had become a bitter curmudgeon. It is this complexity that allows us to accept Scrooge's overnight conversion. This is film acting at its best
His skin condition has returned with a vengeance so for the past few days we've been walking over to the Vets - well I've been walking, he's been carried. Tuesday I met a charming older couple who were in with their dog. The lady - faded blonde but with a elegance that was unforced and a wonderful smile when she talked about her dog - had found her wandering on the street two years ago. The dog was going to be operated on that afternoon for a tumor that they hoped was benign. We talked about our pets and them being what she called "a loving responsibility," which I thought was a great phrase. I checked with Dr. Benvenuti yesterday and it was benign - I would have loved to see the smile on her face when he told her that.
13 decembre - Santa Lucia







Four actors presented the Wilde tale of the Statue and the Swallow in a freely adapted version - Walter played among other things a tramp, an animal trainer, a town crier, an unemployed father and a cruise ship sailor. A cruise ship sailor??? Well yes as I said freely adapted: in this version the statue and the swallow become humans when the Blue Fairy from Pinocchio wanders in by mistake. They leave the cold behind to go to Argentina on a cruise ship - don't ask. It was actually a lovely way to spend the afternoon but my heart jumped when they said there were two people in the audience who were celebrating birthdays. Thank god it was a five year old brother and sister (twins) - the little boy was as unimpressed with the Blue Fairy's kiss as I would have been.

The ancient ghetto is still a Jewish area and in celebration of Hanukkah there was a nine branched menorah or Hanukiah in the piazza.
Earlier in the day Joanne and I had passed the Arch of Titus with its famous bas-relief of the destruction of the Temple in Jerusalem. A menorah is being take away as part of the booty.


As well as children's toys and Christmas trinkets, stalls are selling figurines, buildings, trees, moss, lights - everything you need for your own Presepe.
A familiar figure reminds us that a Christmas Fair is after all a commercial event.
The Fountain of the Four Rivers is undergoing a much needed cleaning and restoration.

Not sure if its just me, but as colourful as this carousel may be, it needs children to give it life.
And of course, being Rome, there has to be candy and sweet stalls.