Sunday, February 12, 2012

Quote... Unquote

As I've mentioned in an earlier post I've become engrossed in the novels of Nancy Mitford (left), though after having completed her three earliest I am now taking a break - too much of a good thing can becoming cloying after a while.   And for my taste Mitford is a "good thing".   Though I greatly enjoyed the book that started this read fest, Christmas Pudding, and her third novel Wigs on the Green (I understand why she was unwelcome in the house of her sister Diana and her Fascist crowd) there is something about the first book, Highland Fling, that I found gave me the greatest pleasure.  Perhaps it is a young writer finding her way, not always sure of her characters or plot but writing with an intimate knowledge and affection for the people she has used as her models.  In all three novels her older titled folk are caricatures but not as broad, or as bitter, as those created by many of her contemporaries. In Wigs her portrait of Lady Chalford with her ridiculously rigid moral code is at first laughable, then touching but ultimately disturbing as you see it reflected in her grand-daughter's Union Jackshirt credo - this woman knew her class.    And her "bright young things" - no doubt drawing on her own experiences with that set - are etched with only a light touch of acid -  their follies and foibles suggesting that the "me" generation we talk about today is not a new thing.

I am a great fan of, the oft mentioned here, E. F. Benson and P. G. Wodehouse both of whose creatures inhabit, as do Mitford's, an England caught between the two Great Wars. A period of flux and change, of discovery and of loss for a generation and a world that never quite recovered from the  effects of those 5 years.  That period of the "lost generation" does not appear to ruffle Benson's upper middle-class citizens of Tilling - what other than the intrigues of their own little world does? -  nor disturb the antics of members of Bertie's Drones Club.  But in Highland Fling Mitford recognizes the incredible gap between a generation who had fought for a set of values which they were then told were out-dated and valueless by a generation that had no regard for them or their values.  If I weren't reading an novel written in the 1930s I would swear Mitford was talking about today.
"Bright Young Things" - Cecil Beaton, Stephen Tennant, Zita Jungman, Edith Olivier and Rex Whistler - all looking very stylish and set for a weekend of pleasure and leisure. It was a world well known to Nancy Mitford and her sisters.

As Highland Fling begins a quartet of bright young things heads up to Scotland to see to the care, feeding and recreation - or rather wholesale slaughter of game - of a hunting party at a familial castle in Scotland.  Amongst the group is Albert Gates, an avant-garde artist and I suppose the "hero" of the novel as much as there can be heroes in any of Mitford's tales.  One evening at dinner, surrounded by local gentry, old nobility and pensioned military men,  Gates holds forth at table on the futility of the 1914-1919 war and smugly suggested that these people  enjoyed its slaughter as much as they enjoyed bagging helpless game.  Mr. Buggins, a gentle quiet man who until this moment has been very much in the background dully reciting historical facts, gently and quietly as is his nature and without the bluster and indignation of the others around the table answers the younger man.
But at the same time, Gates, there is something I should like to say to you, which is, that I think you have no right to speak as you did of the men who fought in the War.  Sneering at them and hoping they enjoyed it, and so on.  I know you did not really mean to say much, but remember that sort of thing does no good and only creates more bitterness between our two generations, as though enough does not exist already.  I know that many of us seem to you narrow-minded, stupid and unproductive.  But if you would look a bit below the surface you might realize that there is a reason for this.  Some of us spent four of what should have been our four best years in the trenches.

'At the risk of boring you I will put my own case before you.

'When the war broke out I was twenty-eight.  I had adopted literature as my profession and at the time was an art critic on several newspapers.  I had also written and published two books involving a great deal of hard work and serious research - the first, a life of Don John of Austria, the second, an exhaustive treatise on the life and work of Cervantes.  Both were well received and encouraged by this, I was, in 1914, engaged upon an extensive history of Spain at the time of Philip II, dealing in some detail, with, for instance the art of Velásquez and El Greco, the events which led to the Battle of Lepanto, the religious struggle in the Netherlands and so on.  I had been working hard for three years and had collected most of my material.

'On the fifth of August, 1914, whether rightly or wrongly, but true to the tradition in which I had been brought up, I enlisted in the army.  Later in that year I received a commission.  I will not enlarge upon the ensuing years, but I can't say I found them very enjoyable.

'When in 1919, I was demobilized, I found that, as far as my work was concerned, my life was over - at the age of thirty-three.  I was well off financially.  I had leisure at my disposal.  I had my copious notes.  Perhaps - no doubt, in fact - it was a question of nerves.  Whatever the reason, I can assure you that I was totally incapable of such concentrated hard work as that book would have required.  I had lost interest in my subject and faith in myself.  The result is that I am now an oldish man, of certain culture, I hope, but unproductive, an amateur and a dilettante.  I know it. I despise myself for it, but I cannot help it.

'And that, I am convinced, is more or less the story of hundreds of my contemporaries.

'Everyone knows - you are at no pains to conceal it - that the young people of today despise and dislike the men and women of my age.  I suppose that never since the world began have two generations been so much a variance.  You think us to be superficial, narrow-minded, tasteless and sterile, and you are right.  But who knows what we might have become if things had been different?

'That is why I do earnestly beg of you not to speak sarcastically, as you did just now, of the men who fought in the War.  Leave us, at any rate, the illusion that we were right so to do.
Highland Fling
Nancy Mitford - 1931
Penguin - Fig Tree - 2011
Available at Amazon

Mitford knew her people and her time well. And for a young writer she captured the feeling of that "lost generation" without great drama - simply almost tenderly. 

12 February - 1429:  English forces under Sir John Fastolf defend a supply convoy carrying rations to the army besieging Orleans.

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1 comment:

Debra She Who Seeks said...

What a world of loss and pain was inadequately summed up by that old word, "nerves." Yes, clearly Mitford was a writer of great perception and depth. I haven't read any of her books. Perhaps I should.