Showing posts with label Gospel Music. Show all posts
Showing posts with label Gospel Music. Show all posts

Sunday, October 12, 2014

Happy Thanksgiving 2014



And to celebrate the harvest festival what could be more lovely than the New Apostolic Church of Capetown Choir and Orchestra singing an old gospel favourite.  I had forgotten that the first lines of that hymn remind us that we should be "sowing seeds of kindness" and through that act we will be "rejoicing bringing in the sheaves".  Not a bad thing to remember as we gives thanks for the good lives most of us enjoy.





October 12 - 1823: Charles Macintosh of Scotland sells the first raincoat.

Sunday, January 12, 2014

We Have Seen His Star in the East


Tomorrow is the Octave Day of the Feast of the Epiphany:  January 6th, the day on which, according to tradition, the Three Kings ended their search for the Child of whose birth they had read in the stars.  It is an event that has been much celebrated in Western art and in music.  And with the octave day comes the official end of Christmastide.


I though I'd celebrate the last liturgical day of Christmas by sharing several of the Adoration of the Magi works from the wonderful museum at  El Reial Monestir de Santa Maria de Pedralbes and a last piece of music for the season.   The styles - both artistically and theologically - are disparate but none the less celebrate the last Feast of Christmas.


The most famous modern Epiphany carol is, of course, We Three King, written in 1857 by John Henry Hopkins Jr, the rector of an Episcopal church in Pennsylvania.  He had written it for a Christmas pageant at the seminary where he taught.  It was the first "American" carol to be included in Christmas Carols Old and New.


And as the most popular Epiphany carol comes from America I thought I'd post another lovely American carol for the Feast as an end to this year's Christmastide musical posts.

Oh Beautiful Star of Bethlehem is a modern carol in the tradition of Southern Baptist gospel music.  It was written by a Tennessee farmer, Robert Fischer Boyce in 1938.   With eleven children in the house Mr Fischer couldn't find peace and quiet so retired to the cow barn and wrote the words for what was to become a much recorded gospel carol.  His daughter Nannie-Lou Taylor helped him with the music and it was eventually published by  James D. Vaughan Music Publishing.  At one point this led to the carol being attributed to Adger M. Pace, an music editor at the company.  As was usual for the time Boyce received a flat fee for the song and gave up all rights and royalties to the music publisher.

 It was first recorded in 1953 but has since become a standard on gospel, country and cross-over Christmas albums.  It has been a feature in many of the Gaither Homecoming Christmas concerts.  I've always loved these concerts - perhaps not the theology behind them but certainly the music and here is a great version from one of their recorded specials.  Ben  Speer is very much in the old style gospel (and sadly his voice has lost much of its power) while Amy Lambert is more modern in her delivery.  But as with so many of the Gaither recordings its the ensemble that makes things take flight.


The tree has been taken down, the decorations put away, the Christmas CDs shelved for another year.  But where we living in another time there would be one more celebration before we went back to the humdrum days of winter.  But more about that tomorrow.

January 12 - 1554: Bayinnaung, who would go on to assemble the largest empire in the history of Southeast Asia, is crowned King of Burma.
Enhanced by Zemanta

Wednesday, February 01, 2012

Mercoledi Musicale

Back in 1996 - I think it was - I bought an album called Steal Away. A compilation of hymns and gospel songs it was my introduction to Charlie Haden and Hank Jones. I became a devoted Haden fan after that and figured owning a few of Jones' cds wouldn't be too shabby of a move either. Steal Away has had pride of place on my favourites shelf ever since.

Jones died in May of 2010 but in February of that year he and Charlie Haden reunited one more time to record Come Sunday - another collection of hymns, gospel songs and inspirations melodies. It is quieter more reflective album than its predecessor - the work of older artists who have learned to strip music down to the essentials. Steve Futterman over at The Barnes and Noble Review has captured the feeling of what these two great artists have created in his review and anything I could add would be superfluous - not a word to use where Haden and Jones are concerned.  And to my mind this is perhaps the best of the tracks on this great CD.


The story of how Thomas A. Dorsey came to write Take My Hand Gracious Lord is a fairly well-known one.  Perhaps the best know and loved of all gospel-blues songs it was born out of his grief at the death of his young wife Nettie Harper in childbirth and infant son two days later in august of 1932.  Dorsey freely admitted that he had found inspiration for the melody in the hymn tune  "Maitland," by American composer, George N. Allen but the lyrics were his cry from the heart at a dark time in his life.
Precious Lord, take my hand
Lead me on, let me stand
I am tired, I am weak, I am worn
Through the storm, through the night
Lead me on to the light
Take my hand precious Lord, lead me home

When my way grows drear
Precious Lord linger near
When my life is almost gone
Hear my cry, hear my call
Hold my hand lest I fall
Take my hand precious Lord, lead me home

When the darkness appears
And the night draws near
And the day is past and gone
At the river I stand
Guide my feet, hold my hand
Take my hand precious Lord, lead me home

Precious Lord, take my hand
Lead me on, let me stand
I'm tired, I'm weak, I'm lone
Through the storm, through the night
Lead me on to the light
Take my hand precious Lord, lead me home

It has been sung at State and family funerals, and in gospel and jazz halls; and its been translated in at least 40 languages.  Singers as diverse as Elvis Presley, Leontyne Price, Nina Simone, Jim Nabors, the late Etta James and Aretha Franklin have performed and recorded it.  Perhaps the best known version is by one of Dr Dorsey's favourite gospel singers, the voice of gospel when I was growing up, Mahalia Jackson.  Here she is singing the first verse and to my mind like Haden and Jones, she performs its simply and as a cry from the heart.


Even if hymns and gospel music are not quite your style I strongly recommend Come Sunday for the sheer artistry of the two men involved. It is music making at its simplest, most elegant and most eloquent.

01 February -
1796: The capital of Upper Canada is moved from Newark to York. 


Enhanced by Zemanta