Though much of the sung liturgy was restricted to plainsong the setting of the Improperia, central to the liturgy of Veneration, was varied and ranged from Stanford to Sanders to Vittoria. However I don't recall the Palestrina ever being sung. Though Palestrina had been released from his job as cantor at the Sistine Chapel when Paul IV enforced the rules of celibacy for the Papal Choir his setting of the Reproaches from the Cross were used there continually on Good Friday from 1555 until the present day.
The photographs that I used in this video were taken on one of our several visits to Barcelona and Antoni Gaudi's miraculous Sagrada Familia. The Passion Facade was unfinished at the time of Gaudi's death but a design was found in his pocket when he was taken to the hospital after being hit by a tram on June 7, 1926. Because he had no identification and was poorly dressed it was assumed he was a drunken vagrant and he was neglected both at the scene of the accident and later at the hospital. By the time the Chaplain of Sagrada Familia recognized him it was too late and he died on June 10.
The work on his masterpiece continued intermittently after his death and continues to this day with a projected completion date by 2026 in time to commemorate the centenary of Gaudi's death. The work on the decoration of the Passion Facade was begun in 1987 by Josep Maria Subirachs and is in stark contrast to the joyous Nativity Facade and has proven to be controversial in both the arts and religious communities. Though it may be the complete opposite of Gaudi's florid style I find it still fits into the grand design of this miraculous piece of architecture.
1 comment:
It's odd how much I love this type of music, being a former zealot left with Post-Traumatic Religion Syndrome.
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